As early as the 5th century, the territory of the Northern Wei was Yinshan Rock geographer Li Yuan Road found. In his famous "Shui Jing Zhu" a detailed description. These records is the world's oldest rock paintings of Yinshan record. However, in subsequent centuries, no one cares to. Until the 1930s did not, North jussy scientific study found the pieces of the rock paintings. Rock on a comprehensive study from the beginning of 1976. Since then, every year many experts, scholars and visitors to the territory of Bameng inspection visit and has a total of more than 10,000 rock paintings, which had pictures and a copy of the nearly 1,000 pieces of rock. These rock paintings not only Ying Yin Mountains region of the ancient faith of the residents, aesthetics and world view, but also reveals the state of their nomadic life. Yinshan a very broad distribution of rock paintings, most of the Wu Late in the local flag in the south to the mountains of Montenegro, Hara, an extension of something more than 5 km. This is only one place on the rock paintings in 1000 more than Hara, Shandong Province in the north near the southern slope of Hill and Hill are also at the top of a large number of Rock and Rock Hill, Hara, together adjacent to become a rock distribution area. Hara, in Shanxi, about 8 km south of the northern Wayao ditch, every 2-10 meters or a little far there are a number of rock paintings, the total number of the more than 100 9. Secondly, I push in the county Torin the North ditch Blackstone Mountain, 2 to 3 meters in general there is a rock, the longest interval not more than 10 meters, the total number of more than 5 100. The most intensive group of rock paintings in a ditch plans Mole He Ying a cliff on the north east to west about 50 meters, 20 meters high, about 80 head of the individual components. Another Tak and the grid in a ditch in the middle of the West Ying Shek Pik, 5 meters wide, about 15 meters by 50 individual composition of the painting. Rock is the largest flag after Wu Late Mizoguchi Sipan a rock dam on the Rock Square, an area of about 400 square meters, is listed as cultural relics protection of the autonomous region. The subject matter drawn from the whole, based on the nomadic hunting. Of which the largest number of Zaoke is the most refined of the rock paintings of animals. There are paintings of animals in goats, sheep, argali and antelope, blue sheep, Grand Cape deer, white-lipped deer, red deer, Mi deer, moose (Handa jail), Paozi, horse, mule, donkey, camel, cattle, buffalo, Cattle, dogs, turtles, wild boar, rabbits, foxes, snakes, wolves, tigers, leopards, and so on. Secondly, hunting scenes also occupies a special status that are significant, the performance of the prehistoric peoples of social life, this is the most beautiful rock paintings. Paintings of hunting in the performance of a wide range of hunters, weapons, hunting and scene modes Like, no matter Yinshan rock paintings of animals or hunting public hunting alone, or be cited or bow Shooters rounded picture of the beast, its performance is usually the most tense moment, the highlight of the beast hunter fatal blow Department, Hunter was the performance of the strong desire of wild animals. Reflect the primitive human culture and the arts from the human struggle with nature A fundamental way. In addition to paintings of animals and hunting paintings, a large proportion of the number of grazing is the painting. Grazing in the picture about the late Bronze Age have, and until the Yuan, Ming and Qing. Although time is very distant, but its content is generally similar, there is a general map, animal husbandry, reversing field map, a whip-and-a sky full of stars, animal husbandry Maps, plans, such as Wrangler. These grazing in the grasslands of Inner Mongolia today is still more popular. In addition, the characters dance, vehicles and travel, Cleveland, the Cavaliers parade, battle plans, carpet Qionglu account, people face and footprint of manpower, animal hoof bird footprint, the original digital, the picture of text, such as the rock star map, as well as to reflect the original religion Divine image in the whole rock paintings also occupy a certain proportion, they directly reflect the original ethnic and tribal ideology and social life. In particular, a number of celestial rock star, rock paintings in the world is rare. Yinshan rock themes and geographical distribution of a certain regularity: Wildlife Images Mountain appear in the rock; hunting scene in general and in the mountain top; head of the gods and celestial bodies almost all the stars wear ravine carved in a vertical trench or legislation wall slope of the boulder on shore (the gods of primitive people living in a fast-flowing of the ideology ). These and paintings at the time of the law of social life, people's level of awareness is The same. Yinshan rock paintings feature the art of simple, vivid, and a strong flavor of life. Rock to more realistic based on records of human history in various stages of childhood and social life. Themes from nature, from life, and reproduction of the natural environment in which the author in person. In concept, techniques and Aspects of the current force, are indicative of the author's keen powers of observation, simple and healthy aesthetic and amazing artistic talent. Yinshan Rock is not the nature of the intact copy, the author often from life to capture the imagination of the image given to the processing, the performance of the target can not be simplified into a simplified, and to sudden The author's intentions, making work very vivid. Many sports-like dynamic strong, or hoping for Chang Si, or short-Ming Looking back, walk or amble, Siti or prance; For some nursing your grudge fight each other, and some Tianwenqinne phase. In order to emphasize the author of a thing, the use of exaggeration, and as a foil to contrast the way, the authors highlight the table At the center, such as between man and animal, and animals struggle between the picture, both in composition and often on the ratio of winners to highlight the image of the rise to a strong artistic effect. Yinshan rock painting of the way out are grinding and cutting of two carved law. Is cutting out the use of the screen than the hardness of stone or metal , On the screen into combat, even as painting point. Knock on the rule of law by cutting into the rock, the depth of different lines, uneven density. Law also known as the carved mill grinding, the method made the rock, deep facial scar light, into a cross-section "U" shape. In addition, there are engraved with the designated law, that is carved with metal tools to draw, the thin and light scratches, many of these works Late works. Rock Paintings in the paint there, that is dynamic and lime, vegetable oil paint applied to the rock tune for the rock paintings. Such a small number of paintings, mostly modern works, and with the relevant Lamaism. Yinshan rock paintings can be divided into four times, five times: the first generation of rock paintings, the old Age Late Bronze Age to the mid-primitive tribal clan of rock paintings. This is the heyday of rock paintings, the large number of widely distributed, serious production. Rock is the second generation of Han Dynasty to the Spring and Autumn Period Hun's Rock. The third generation of rock for the rock paintings of the Middle Ages. This generation of rock paintings can be divided into two time , Namely: the Northern Rock Turks to the Tang Dynasty to Song Dynasty and the Five Uighurs, of the party's rock. Turks small number of rock paintings, which mainly to the performance of domestic animals, goats occupy a prominent place. There are abstract methods, the characteristics of images; Uighur rock is characterized by iron blade carved from painting, fine lines and shallow Subject to more like works of the previous generation, and a small number of Uighur words and images of plants. Rock Paintings of the party people are cutting out from, rough work, but fresh color, such as the new general, and with the Western Xia language. His art is characterized by strong image. Rock is the fourth generation after the Mongolian Yuan Dynasty works, known as the Modern Painting. Rock at pigment out rock and rock painting of two. Rock pigments for specific ethnic Mongolia, in addition to part of the contents of the rock paintings reflect the life and production (such as the gallop, the Bactrian camel, Mugong plans, etc.), most of Lamaism and the pattern.
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